Alexandria Eregbu (b. 1991) is a visual artist, independent curator, and educator. As a first-generation Nigerian woman and Chicago-native, central to Alexandria's practice is the desire to activate personal narrative as a resource for examining the uses of language, visual storytelling and collectivized efforts towards provoking social empowerment and spiritual transformation. Through a steady mapping of lived occurrences and imaginary dreamscapes, Alexandria calls upon her experience, familial relationships to cloth, and knowledge received from the natural world in attempt to unlock connections between past, present, and future. Under the guidance of writing and research, Alexandria's creative process alchemizes drawing, material studies, performance, textile production, ancestral histories and tradition as a means to honor, communicate, awaken, and further explore that which she considers sacred or ultimately worthy of diligent protection and preservation. Alexandria’s work has been widely exhibited, illuminating pathways globally, nationally, and throughout the Midwest. She has held fellowships with ACRE (Steuben, WI); HATCH Projects, Stony Island Arts Bank, (Chicago, IL); The Center for Afrofuturist Studies (Iowa City, IA), Independent Curators International (New Orleans, New York City, Martinique); and The Camargo Foundation/3Arts Residency (France). Amongst her curatorial projects is du monde noir, an artistically run collective that seeks to identify contemporary evidences of Surrealist activity produced by visual artists and writers of the African diaspora in the U.S. and abroad. Currently, Alexandria serves as a Curator of Commissioned Works for Illinois Humanities and their two-year initiative, “Envisioning Justice.” She is an MA Candidate at the School of the Art Institute of Chicago in Visual & Critical Studies.